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Office · Kochi · Media & publishing

Kochi Shimbun — Kochi: 34 panels for 34 towns, and only one of them is real cypress

The Kochi Shimbun, first published in 1904, moved into floors four to eight of an eight-storey building ahead of its 120th anniversary. Its design keyword is tamen, “many faces” — a play on the way Japanese newspapers number their pages as faces: page one is ichimen, the first face.

Company The Kochi Shimbun (株式会社高知新聞社) ↗Founded 1904Office Floors 4–8 of an eight-storey tenant building, KochiConcept “Meet, notice, make” (であう、きづく、つくる)Floor colours 4F cave browns and yellows; 5F coral red; 6F river blue; 7F greenOffice design Okamura Corporation
The 8th-floor entrance
The 8th-floor entrance

Concept

Kochi, hidden in the details

The old building split departments with corridors and walls, and people rarely worked beyond their own desk. The new office sets out to change that — but its most memorable feature is how much of Kochi Prefecture it hides in plain sight.

Above reception are 34 wood-grain panels, one for each of the prefecture’s municipalities. Thirty-three are melamine, for fire safety. One is natural Kochi hinoki cypress — a reminder of the newspaper’s creed, to tell the true from the false.

The entrance
The entrance
The 8th-floor lounge
The 8th-floor lounge

01 · Entrance

A cypress counter and a city made of letters

The 8th-floor entrance has a counter of Kochi hinoki and wood panelling. It greets business visitors and interviewees, and people who come to look something up or buy a paper.

The wall of the open meeting space shows the view over Kochi City from Mount Godai. Up close, the mosaic is made of hiragana, katakana and the everyday kanji used in newspapers.

The entrance
The entrance
The entrance
The entrance
The entrance
The entrance
The open meeting space
The open meeting space

02 · Lounge

A view of Kochi Castle

The 8th-floor lounge is used for breaks and as a change-of-scene workplace. Kochi Castle can be seen from the windows. The furniture moves, so the room can host after-work sports viewing on the big screen or events with partners. A café corner and digital signage for announcements complete it.

The lounge
The lounge
The lounge
The lounge
The lounge
The lounge
The café corner
The café corner

03 · Work floors

A colour for every floor

Floors 4 to 7 hold the work areas, in a universal layout that copes easily with changing team sizes. Tables near the desks, focus booths and semi-private meeting booths let people choose where to work.

Each floor has a colour taken from Kochi: browns and yellows for the Ryugado cave and Tatsukushi coast on 4, coral red on 5, the light blue of the Niyodo and Shimanto rivers on 6, green for the prefecture’s nature on 7.

The work area
The work area
The work area
The work area
The work area
The work area
A meeting booth
A meeting booth

04 · Reception rooms

A small art museum

The 4th floor holds the executive rooms and reception rooms. The waiting room shows work by Hiroshi Okutani, recipient of the Order of Culture, and photographs by artists inducted into the hall of fame of the Kochi Prefecture Art Exhibition, which the paper organises.

The reception waiting room
The reception waiting room
A reception room
A reception room
A meeting room
A meeting room

05 · The newsroom

A relay between two floors

Floors 5 and 6 belong to the editorial bureau, joined by a central staircase. A relay shelf passes manuscripts between the floors — copy checked by the proofreaders goes back and forth between reporters and layout editors without anything getting lost.

The manuscript relay shelf
The manuscript relay shelf
The archive
The archive
The editorial floor
The editorial floor
CompanyThe Kochi Shimbun ↗
DesignOkamura Corporation
Photography© Okamura Corporation (from Okamura’s Design Stories)
Sourceオカムラ Design Stories, “株式会社高知新聞社様の事例”, re-reported by WALL ↗
PublishedOctober 2026
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